In the abyssal and eldritch expanse of the cosmos, there exist concepts which defy human understanding, existing beyond the reaches of our feeble minds. Among these elusive ideas, two distinct branches of thought emerge: Cosmicism and Neocosmicism. It is my solemn duty, as an observer of the arcane and the unknown, to illuminate these of the nascent 20th century doctrines and their significance to the human experience. In this essay, we shall endeavor to dissect each in detail, providing examples to elucidate their nature and juxtapose their characteristics. Thus, the reader may embark on a journey through the abyssal realms of cosmic philosophy, armed with the knowledge and understanding of these esoteric tenets.

Diving headfirst into the abyssal cosmos of Lovecraftian horror and merging it with the elusive allure of C. M. Eddy, Jr's enigmatic storytelling, "The Ghost-Eater" is a grotesque tapestry woven with a blend of the grotesque and the bizarre.

Among the grim chronicles of H.P. Lovecraft's foray into cosmic horror, "The Rats in the Walls" festers in a crypt of its own, subtly weaving an uncanny dread through its pages. It shines, like a sickly moon in a foreboding sky, illuminating the depths of human degeneration and the perpetual curse of ancestry.

Submerged in the murky depths of H.P. Lovecraft and C.M. Eddy Jr.'s conjoint creation, "Ashes," we find ourselves confronted by an embodiment of Lovecraft's signature cosmic horror and Eddy's skillful blend of the grotesque and psychological terror. It is a confluence of these creative minds that carves out an abyss of dread, establishing a macabre piece which forms a chilling cornerstone of their collaborative works.

Tartarean depths of literary horror, they hold tales, few and far between, that echo with a chill as does "The Hound" by Howard Phillips Lovecraft. A narrative, grotesque in its beauty, stands as testament to the author's craft, a tapestry woven of terror, ensnaring the reader in eldritch threads.

As a chilling testament to mankind's insignificant standing amidst the indifferent cosmos, "Horror at Martin’s Beach," penned by the maestro of the macabre, H.P. Lovecraft, occupies an esteemed position in the annals of cosmic horror. This arcane tale resonates with Lovecraft's unmistakable mastery of the grotesque, forging a story that is as much an exploration of fear's profound depths as it is a stark revelation of the Universe's incomprehensible vastness.

In the realm of spectral literature, one would be hard-pressed to find a piece more hauntingly evocative than "What the Moon Brings" by the ineffable master of cosmic horror, Howard Phillips Lovecraft. Imbued with all the somber elegance and macabre imagery for which Lovecraft is lauded, this tantalizingly brief narrative serves as a vivid canvas of his singular style.

In "Hypnos," Howard Phillips Lovecraft choreographs a morbid dance in a realm of dream and dread, where the boundaries of reality blur and crumble. Embodied in his distinctive style of cosmic horror, the tale unfurls a chilling narrative, pregnant with the omnipresent dread of the unknown and the unimaginable.